After covering everything possible on walks, Williams moves on to one of the most important aspects of character animation: Flexibility. For beginners, making characters look loose and flexible is the toughest thing to master. With a variety of examples that show the movement of joints and how to overlap actions, Williams makes it easy to understand. Animation Bump: Richard's book is intended to allow animators to do this on their own whim. The promo CD that comes with the book also has a very impressively animated sequence, which Richard claims took around a year to make! Williams, Richard (2012-09-25). The Animator's Survival Kit: A Manual of Methods, Principles and Formulas for Classical, Computer, Games, Stop Motion and Internet Animators. Macmillan. ISBN 978-0-86547-897-8. There is no one better prepared than Williams to assemble a book like this. He is a living link between the pioneers of the art form and the international animation community of today. Much of the information in the book relates directly to the creation of character animation regardless of the media used to create it. Silly Walk: Williams goes at length on how to take a basic walk cycle and play around with the various parts to create some interesting actions. He describes the trope as the fundamental key to all other animation- once you can animate a clean walk, anything else becomes easy.

The book was met with universal acclaim. Chris Wedge, the director of Epic and Ice Age, wrote about the book: "What I came out with was a complete re-structuring of animation, how I saw animation, how I analysed motion. People the first night sat down at their work stations and were running some of Richard's examples ... and at lunchtime you could see the influence. It was a revelation." [5] It was also turned into an iPad app in 2013. [6] [7] See also [ edit ] Line Boil: Williams discusses how badly-made in-between frames can create uncontrolled "wobbling" or "frying" in the animation. He mentions that when he was doing commercials at UPA's London studio, his assistant would change the shape of the character's eyes on his inbetween drawings, causing a distracting wobble. Impossible Hourglass Figure: Despite demonstrating a perfect knowledge of anatomy, damn does he love his implausibly proportioned women! Rubber-Hose Limbs: Discussed, in that it explains this technique of animation, but it also explains how to get flexibility in limbs without literally bending them like noodles. The dachshund of the book's logo was revealed in the animated version of said logo to have a stretchy middle-body when he tried to get inline with the rest of the characters, much to his embarrassment.The animated version of the book's logo (it can be watched here ) plays this straight as the music syncs with each character's actions as they move in place to perform a choreographed walk cycle. Animation examples from the book combined with footage from Richard Williams' masterclasses have been put into a 16-volume DVD box set titled The Animator's Survival Kit – Animated. [3] The logo from the book cover was completely animated in the traditional style, taking Williams and his animators 9 months to complete. Williams also included some early drafts of his own work from previous projects. [4] Reception [ edit ] And if there ever is a true revised edition of The Animator's Survival Kit, I would love to see an index. My students will then be able to go directly to the principle they're looking for and I can easily locate words of wisdom from one of the great animators, Richard Williams. The new editions of the Animators Survival Kit do exactly what they are designed to do – give the reader direct access to a treasure trove of advice focussed directly on specific subjects. Like their predecessor these new books are perfect for anyone wishing to perfect their animation craft.

Bishop, Floyd (2013-04-18). "FIRST LOOK: The Animator's Survival Kit app by Richard Williams". IndieWire . Retrieved 2023-01-30. Shown Their Work: William's book is unmatched in how knowledgeable it is about animation articulation. Lazy Artist: Discouraged; Williams makes a great point early in the book that fundamental drawing skills, particularly life drawing and anatomy knowledge, are imperative for any aspiring animator to learn.

Tropes:

The book directly refers to this at one point, and actually explains why it's such a beloved trope among animators: like music, most animation is plotted out in multiples of 4, or more rarely multiples of 3 like a waltz. Syncing animation with music, therefore, provides a set of predetermined, aesthetically pleasing divisions to base keyframes off of, while also providing interesting changeups in the form of subdivided eighth and sixteenth notes to guide more intricate animations. The Twelve Principles of Animation: Gives very specific advice on how some of the principles work. It even mentions The Illusion of Life at one point.