Its like reading the works of a Roman author, like Juvenal or Tacitus, decrying the follies and crimes of an Empire they so are extricable a part of. The criticism and cynicism in the dissident view of the Soviet Union, within the Soviet Union was also one of the great achievements of the Soviet Union. Schlögel – assisted by his excellent translator, Rodney Livingstone – is an eloquent writer and a captivating travel guide around this Soviet “lost world”."—Stephen Lovell, Times Literary Supplement A] magnum opus. . . . This invaluable study casts a lost world in a new light."— Publishers Weekly (Starred review) A museum of—and travel guide to—the Soviet past, The Soviet Centuryexplores in evocative detail both the largest and smallest aspects of life in the USSR, from the Gulag, the planned economy, the railway system, and the steel city of Magnitogorsk to cookbooks, military medals, prison camp tattoos, and the ubiquitous perfume Red Moscow. The book examines iconic aspects of Soviet life, including long queues outside shops, cramped communal apartments, parades, and the Lenin mausoleum, as well as less famous but important parts of the USSR, including the Great Soviet Encyclopedia, the voice of Radio Moscow, graffiti, and even the typical toilet, which became a pervasive social and cultural topic. Throughout, the book shows how Soviet life simultaneously combined utopian fantasies, humdrum routine, and a pervasive terror symbolized by the Lubyanka, then as now the headquarters of the secret police.

Fascinating. . . . The scholarship of the work is evident throughout, but 'The Soviet Century' is both more powerful and more subtle than a typical work of scholarship. At its heart, it’s a gigantic, heartfelt elegy, one of the most stunning tributes ever paid to the Soviet Union."—Steve Donoghue, Big Canoe News The Soviet Union is gone, but its ghostly traces remain, not least in the material vestiges left behind in its turbulent wake. What was it really like to live in the USSR? What did it look, feel, smell, and sound like? In The Soviet Century , Karl Schlögel, one of the world’s leading historians of the Soviet Union, presents a spellbinding epic that brings to life the everyday world of a unique lost civilization. Its such a pity its only in German at the moment as so many including Russians would find this a beautiful work of literature. But the quality of the German prose is also profound and you will not want to skip any part of it when you start reading it.His focus is not on the foreign relations or domestic crises of Soviet rule but on outward appearances: the look, the smell, the sounds of everyday life. Based on decades of research and an intimate knowledge of history and culture, ‘The Soviet Century’ is a fascinating chronicle of a not-so-distant era."—Joshua Rubenstein, Wall Street Journal This book is not a conventionally structured history of the Soviet Union, but is rather more like a series of essays exploring many different aspects of life in the USSR. Topics include Soviet mega-projects (the Dneproges dam, the Belomor canal, the city of Magnitogorsk, the Palace of Soviets), artistic and architectural movements, Soviet atrocities like the Gulag and the Great Terror--but my favorite topics deal with more mundane aspects of everyday life in the Soviet Union. How were the conditions in the public bathrooms of the Soviet Union, or the stairwells of apartment complexes? How much garbage did Soviet citizens throw out, and how was it disposed of? What was it like to live with randomly assigned strangers in a communal apartment, or to then move into a concrete prefab Khrushchyovka? How much time did Soviet citizens spend waiting in line, and how did the Soviet state use these lines for intelligence gathering purposes? What happened to all the privately owned pianos after the Revolution? Why did the Bolsheviks have such a thing for palm trees? This is a glorious bitter sweet homage to the tragi-comedy that was so much a part of the Soviet Union. From one of its enemies we find heartfelt sentiment of beauty and kindness of a life lived intertwined with the fate of that civilization. In a work of remarkable range and quality, Karl Schlögel explores the everyday life and material culture of the Soviet Union in ways that show the communist experiment in a compellingly fresh light. One of the most innovative books on Soviet history to appear since the state’s collapse in 1991."—Tony Barber, Financial Times

But I often forget that the richness of Russian culture doesn’t end when Khrushchev took over, and especially now that Soviet Russia is dead (in a way) and its archives are open (in a way), it’s the perfect opportunity for a skilled historian to offer some perspective on that era. That’s where Karl Schlogel’s Soviet Century: An Archeology of a Lost World comes in. Also, I kinda feel like the son of a Wehrmacht soldier should show a little more humility to the people his father's generation tried to exterminate off the face of the Earth, but that's just me.Fiecare capitol e o călătorie fascinantă: poliție secretă, artă, revoluție, mega șantiere (Magnitogorsk și altele) închisori/gropi comune, natură schimbată/modelată/distrusă fără limite, inginerie de vârf cu prețul a mii de vieți, educația foștilor țărani mutați forțat în orașe muncitorești/industriale, cum erau locuințele, prietenia cu americanii în primii ani staliniști când au avut nevoie de ingineri/tehnică/educație, cum se trăia în orașele create artificial cu popi, hoți, prostituate, intelectuali și criminali condamnați la muncă silnică, cum se mânca și primele cărți care i-au învățat un minim de civilizație, cum au trecut de la refolosit sticla și hârtia maro de împachetat la a arunca peste tot gunoi și plastic…sărmanele păduri, râuri, lacuri🥲*inclusiv în orașe aveau gropi cu deșeuri nucleare…cum pe rând toți care deveneau “elite” și torționari temporari cădeau după o perioadă și-și găseau sfârșitul în urma unor procese ridicole🤦🏻‍♀️ The Soviet Century is a great monument to the vanished Soviet world. Rich, witty, and entertaining, the book offers a comprehensive textual museum that is all the more important because no such real-life museum exists in Russia or elsewhere, and I doubt that it will be created anytime soon. The more difficult it is to go to the White Sea Canal, the Lenin Mausoleum, or a Russian dacha, the more enjoyable is this book.”—Alexander Etkind, Central European University