Schama, Simon (12 April 2013). "Simon Schama on Dead Certainties: 'Historians shouldn't make it up, but I did' ". The Independent . Retrieved 16 September 2018. https://intranet.royalholloway.ac.uk/iquad/documents/pdf/principal/hononaryfellowsprog.pdf [ bare URL PDF] were the principles of the revolutionaries, he reminds us that their power depended on intimidation: the spectacle of death. Violence was no aberration, no unexpected skid off the highway of revolution: it was the Revolution - its BBC Radio 4 Extra – Simon Schama – Baseball and Me – Episode guide". BBC . Retrieved 16 September 2018.

CITIZENS: A Chronicle of the French Revolution | Kirkus Reviews CITIZENS: A Chronicle of the French Revolution | Kirkus Reviews

a b Nalley, Richard. "Simon Schama's Power of Art." Forbes 180 (18 September 2007): 165–165. Academic Search Premier, EBSCOhost (accessed 30 April 2009).episode and transcript: |uhttp://www.booknotes.org/Watch/8380-1/Simon+Schama.aspx |zProgram air date: July 14, 1989. For cost savings, you can change your plan at any time online in the “Settings & Account” section. If you’d like to retain your premium access and save 20%, you can opt to pay annually at the end of the trial.

Citizens : A Chronicle of The French Revolution - Google Books

In 2006, the BBC broadcast a new TV series, Simon Schama's Power of Art, which, with an accompanying book, was presented and written by Schama. It marks a return to art history for him, treating eight artists through eight key works: Caravaggio's David with the Head of Goliath, Bernini's Ecstasy of St Theresa, Rembrandt's Conspiracy of Claudius Civilis, Jacques-Louis David's The Death of Marat, J. M. W. Turner's The Slave Ship, Vincent van Gogh's Wheat Field with Crows, Picasso's Guernica and Mark Rothko's Seagram murals. [30] It was also shown on PBS in the United States. [31] External video Saint Louis University Library Associates. "Saint Louis University Library Associates Announce Winner of 2001 Literary Award" . Retrieved 25 July 2016.Vendée was] the logical outcome of an ideology that progressively dehumanised its adversaries and that had become incapable of seeing any middle ground between total triumph and utter eclipse.'

Citizens : a chronicle of the French Revolution : Schama Citizens : a chronicle of the French Revolution : Schama

The first number of the Revolutions de Paris, published on the seventeenth of July, was devoted to a lengthy - and rather muddled - account of the insurrection. . . . ''The cells were thrown open to set free innocent victims and venerable old With the likes of Saint-Just and Robespierre (a state scholarship boy, typical of old regime meritocracy), doublespeak was in the saddle. Murderously weepy, sadistically moralistic, fanatically denouncing as fanatics those who did not share their fanaticism, with equality. But, in Mr. Schama's words, asking for the impossible is one good definition of a revolution.In my view, Mr. Schama underestimates structural problems that no 18th-century regime effectively coped with. But he is right to shift blame for failure from structural dysfunctions to ''circumstances and policies'' - that is, to men exceptional nor unmanageable. And those who sought to manage it on the King's behalf were more than empty heads presiding over empty purses. Nevertheless, aggressive, reforming managers in high office did not manage to reform;

Citizens by Simon Schama, First Edition - AbeBooks Citizens by Simon Schama, First Edition - AbeBooks

Schama worked for short periods as a lecturer in history at Cambridge, where he was a fellow and director of studies in history at Christ's College. He then taught for some time at Oxford, where he was made a fellow of Brasenose College in 1976, specialising in the French Revolution. [1] He also worked at the School for Advanced Studies in the Social Sciences (EHESS) in Paris. Somehow the revolutionary government found a way to pull itself together. The call for a levée en masse filled its ranks, and industry was militarized to provide weapons and supplies. France’s situation was helped by the reluctance of the British, Austrians, and Prussians to press the military campaigns too far, in part because they did not want to bear the costs of another war, and in part because it seemed possible that the revolution might collapse under its own weight at any moment. With 40 percent of the kingdom's population dependent on charity, hunger bred anger, crowds turned into mobs. It was to defend liberty and its patriotic proponents embattled at Versailles that Parisian crowds rioted in July 1789;Change the plan you will roll onto at any time during your trial by visiting the “Settings & Account” section. What happens at the end of my trial? Wachmann, Doreen (2013). "Profile: Biblical Tales Gave Schama his First Taste for History". Jewish Telegraph. Jewishtelegraph.com . Retrieved 26 August 2014. In 1991, he published Dead Certainties (Unwarranted Speculations), [15] a relatively slender work of unusual structure and point-of-view in that it looked at two widely reported deaths a hundred years apart, that of British Army General James Wolfe in 1759 – and the famous 1770 painting depicting the event by Benjamin West – and that of George Parkman, murdered uncle of the better known 19th-century American historian Francis Parkman. [16] [17] Citizens, like the great 19th-century narratives it emulates, makes entertainment and erudition work hand in hand….As no other recent historian of the revolution, Schama brings to life the excitement — and harrowing terror — of an epochal human event."— Newsweek