Seriously, we'd read one good one, then wait and wait and wait for another good one or a sequel of a good one to appear. Jen’s story continues in the standout sequel to Stepping Stones that captures everything awesome (and scary) about growing up.

Like, fervently educational because that is something I feel is underrepresented both in comics and the general populace. Once your husband starts saying things will build character, that’s how you know you got problems come winter. Like it or not, romance is part of middle school life, and Jen has to learn to both deal with it and to speak up for herself and what she wants in her own life. An Age of License and Displacement are paired travelogues about youth and family, coming out this year (Fantagraphics Books, 2014). This one (her sixteenth, I think is a sequel/companion to Stepping Stones, in which we met twelve-year-old Jen McInnes, recently moved from NYC to live full-time with her divorced Mom (and Walter, Mom’s fellow ex-urbanite boyfriend) on a small farm upstate.Beyond Cherry Apple Crush Nic Salt is a blend of red and green apples with sweet cooling undertones, blackcurrant notes and a fresh cherry kick. My friend with the sugar shack, that was more intense and they have a production line situation happening. I must have a thing for graphic novels with a fall/farm setting as this story reminds me of Pumpkinheads by Rainbow Rowell, which I also really enjoyed.

Jen and Andy are back in the sequel to Stepping Stones, New York Times bestselling author Lucy Knisley's middle-grade graphic novel about family, friendship, and change! All of that effort from all of those chores and all of that time spent doing these things results in a full sensory experience.To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Jen is just getting used to her life on Peapod Farm with her brand-new step-sisters, Andy and Reese. They’re able to find work that resonates with them personally, characters that look like them or act like them or sound like them. I mean, I’m so much of an equal opportunity publisher person so I would totally work with Scholastic.