Since 2017, she has directed the Magazine of the University of Mexico. [10] Bibliography [ edit ] Novels The voice of Laura, the narrator, is one with which I instantly bonded - the writing is clear and unflashy but also intimate and quietly enthralling. A wonderfully fluent translation too by Rosalind Harvey - just a shame that there was less of a sense of Mexico City than I expected: this book could have been transported to London, say, without having to change a thing. A different version of the novel might have cast Alina as the narrator. Instead, Laura serves as witness and interpreter, establishing a buffer between the reader and the book’s harrowing events. The prose, which appears in an elegant translation by Rosalind Harvey, retains a matter-of-factness, and in some places a synoptic quality … that is rarely freighted with sadness or despair. One result is that the tumult of a doomed pregnancy and the insufficiencies of women’s healthcare recede. It’s friendship, not crisis, that emerges as the novel’s focal point.’ The novel asks challenging questions about care for terminally ill children and substitute motherhood. Laura and Alina’s bond is a constant core. At one point the prospect of the death of a child is described as “so unacceptable that we have chosen not to name it”. This is a book which explores maternity and motherhood along a whole spectrum, from the woman who doesn't want motherhood but who still finds herself drawn to the child of a troubled neighbour, to the woman who changes her mind and gets pregnant only to be faced with far more than she ever imagined. It's one of the most nuanced treatments I've read of what has become an increasingly contentious topic and Nettel avoids simplistic positions for a variety of grey areas - and it's this nuance and the avoidance of uncomplicated attitudes and stances that made this such involving reading.

Still Born by Guadalupe Nettel, Rosalind Harvey | Waterstones

Alina and Laura are old friends whose relationship is based on eschewing procreation as the be all and end all. It’s a perspective that gets increasingly complicated through pregnancy, birth, loss, a growing intimacy with the troubled son of a neighbour, unexpected resilience, the “birthing” process of writing a thesis and gradual drifting apart with a mother. I would like this novel to help readers realise that human diversity – especially that of children with neurological conditions and women of all kinds – is always beautiful and interesting and that there is no reason to fear or reject it.’ Guadalupe Nettel (born 1973) is a Mexican writer. She has published four novels, including The Body Where I Was Born (2011) and After the Winter (2014). She won the Premio de Narrativa Breve Ribera del Duero and the Premio Herralde literary awards. She has been a contributor to Granta, The White Review, El País, The New York Times, La Repubblica and La Stampa. Her works have been translated to 17 languages. [4] She is the editor of the Revista de la Universidad de México, the oldest cultural magazine in Mexico. Shaffi, Sarah (14 March 2023). "International Booker prize announces longlist to celebrate 'ambition and panache' ". The Guardian. GN: I believe that for years no one talked about this because people knew that if we had this debate, if the moral and social dimensions of maternity were questioned and arguments against maternity were heeded to as well as the unfair ways in which nurturing can unfold, many women would have chosen not to reproduce, as is the case in many countries nowadays. It is far more difficult to control a childless woman.

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Guadalupe Nettel was born in Mexico and grew up between Mexico and France. She is the author of the international award winning novels El huésped [The Guest] (2006), The Body Where I Was Born (2011), After the Winter (2014, Herralde Novel Prize) and Still Born (2020) and three collections of short stories, all published by Anagrama, the most prestigious of all Spanish-language publishing houses. Her work has been translated into more than fifteen languages and has appeared in publications such as Granta, The White Review, El País, the New York Times, La Repubblica and La Stampa. She currently lives in Mexico City where she’s the director of the magazine Revista de la Universidad de México. Author Maryse Condé and The Gospel According to the New World. Courtesy of the International Booker Prize

STILL BORN | Kirkus Reviews STILL BORN | Kirkus Reviews

The Gospel According to the New World starts with the birth of a boy in an “overseas department”, “surrounded by water on all sides”. Pascal, a child of mixed heritage, is born and subsequently abandoned on Easter Sunday. Rumours immediately start spreading that he might be the son of God. RF: So much that feminists have fought for historically is at risk, most notably our bodily autonomy and our reproductive rights. Was Still Born written in response to the current climate? It is a philosophical exploration about memory and nostalgia, about forgetting and trying to hold on to our pasts while making sense of our present and future. Above all, it is about time – in its fragments and in its perpetuity. The narrative is so unembellished and laced with scathing humour that it has a jarring effect, further facilitated by uneven segments and breaks – much like our thoughts, some fleeting, some resilient.Whale provides an unflinching look at two contrasting portraits of national identity in the era of Korean modernisation – equally valid, yet highly oppositional.

Still Born eBook : Nettel, Guadalupe, Harvey, Rosalind

I loved this, I don’t think I have connected with a book as much as this in a long time. Heart-breaking, so much real emotion, and completely thought-provoking that I am still thinking about this book and the questions it has raised in me, about me, this is wonderfully written and beautiful book. It just covers so much like how even if you choose to become a mum, how much is free choice , when society instills and almost brainwashes reproduction, motherhood and how it’s natural, I also loved how it focuses on loss and society’s treatment of disability. I thought the ending was fantastic and symbolic of life itself, we don’t get closure and again that left me thinkingAna Marcos (March 21, 2013). "La escritora mexicana Guadalupe Nettel, premio de relato Ribera del Duero 2013". El Pais . Retrieved December 7, 2014. Senior Lecturer, English and American Studies, & Director of the Centre for New Writing, University of Manchester