Villains will rise, heroes will fall. Characters that you have been thinking that they are irrelevant will prove their value in key moments of survival. But don’t you get mistaken... What I am saying is, I loved this huge ass volume. It was everything I expected it to be and more. Everything I look for in a source material. This graphic novel has eluded me for so long, I've been meaning to read it for such a long time, so this felt like homecoming to me. In more ways than one. As this is a comic series, I would be remiss if I didn't mention the art, which is overall quite good. There were a few times when I had trouble telling some characters apart, but the high rate of attrition generally took care of that problem. The detail in the artwork is very impressive, though I can imagine there were more than a few times that Charlie Adlard cursed Robert Kirkman for setting a large part of the series in a locale with a prominent chain-link fence that couldn't easily be ignored. As this is a horror comic, the art is sometimes horrifying, very graphic and quite satisfying without being gratuitous. Well, mostly without being gratuitous.... In our society, you never would want to go prison, but in an apocalyptical dystopia plagued with zombies, a prison would look like the logical choice.

The problem with The Walking Dead is that it's boring and badly written. Nearly all of the characters are either shallow, plain or outright annoying, especially the women (except Andrea). Dialogue is awkward and clunky, riddled with cliches, worn phrases and forced exposition. It just sounds unnatural, which is *pretty* problematic for a comic that centers around conversations and social relations. The Walking Dead: Compendium One is a phenomenal and definitive post-apocalyptic horror adventure where a group of survivors attempts to find hope in a world filled with unhinged or deceased monsters. And of course, it will always be about that one Capistrano Birds song. This volume is so good that Daryl's absence wasn't even conspicuous, even though I missed his presence. There's also the question of how to organize a post-outbreak society. What kind of person or people should run the survivors' societies? Is this an opportunity to remake civilization, or should the old ways be adhered to? How much leeway to we have in restarting the world, and what will that look like in the end? The characters in this story have to deal with how to define a family when one's partner or parents or children could die at any time. They have a chance to redefine what is lawful and illegal, to toy with the notions of what is right and wrong, and to re-evaluate the role religion plays in their lives. It's a chance to rebuild the world from scratch, and the characters in this story test those limits in interesting and sometimes unsettling ways. I loved comparing the two. Some of my favorites here I don't like in the tv version For example I love Andrea in the comics but nearly despise her in the series-although I do like the actress). But bottom line, there is a lot that can be new.I loved the fact that because the two vary in the way that certain plot points play out, and they change up who dies and when, it made the comics completely unpredictable. I had no idea what was going to happen and it was fantastic. I like the concept. I like the dark no-one-is-safe atmosphere. The art is fittingly bleak and gritty, if not particularly inspired. Book Genre: Apocalyptic, Comic Book, Comics, Dystopia, Fantasy, Fiction, Graphic Novels, Graphic Novels Comics, Horror, Post Apocalyptic, Science Fiction, Sequential Art, Zombies My favorite television series The Walking Dead is not like that. I read the first compendium of the comix it was based on to see if they were like that. They are not. They are full of rich post-traumatic goodness. Er, badness. This is about people who are so messed up by the zombie apocalypse that you realize the title may really be referring to them.

Charles "Charlie" Adlard is a British comic book artist, known for his work on books such as The Walking Dead and SavageWhere to begin? I really enjoy reading comics (or graphic novels, if that's the term you prefer) and am constantly on the lookout for something new to enjoy in the genre. For the most part, I tend to read classic, well known stuff like Alan Moore's work or Maus or things like that. Recently I got the itch to try out something a bit more, well, recent! Something new and fresh. So what is it that makes zombie stories so popular? Why do people love books like this one, or Pride and Prejudice and Zombies or World War Z? Why do movies like Shaun of the Dead and Night of the Living Dead and even Resident Evil get people so excited? It certainly isn't because of the zombies, although it is always fun to see the special effects improve. First off the two are not the same. They are similar in a few keeps points and milestones but the events and characters diverge greatly from the separate story lines. If these questions interest you more than simple zombie killing, The Walking Dead will make you very happy. Yes, there are zombie killings aplenty (drawn in super graphic detail, to the point where you probably shouldn't be eating anything while you read this), but the zombies are not the problem here. These aren't 28 Days Later zombies (which, if we're going to get technical, weren't really zombies at all) that are smart and run scary fast. These are slow, dumb, lumbering things that hunt mainly by smell, and whose strategy for finding food is basically to wander around and hope to stumble within grabbing distance of something edible. The zombies in The Walking Dead are not a huge threat. The threat is the people left behind, trying to make a life in this disaster wasteland aftermath.

This gives up the first 48 volumes of the comic series You can read this compendium or just read them one at a time or there are in-between sized volumes to read. It is a very in-depth series that is worth taking your time through it. Lots of small details in the art especially. it is a gritty style that I am not normally a fan of but in a zombie apocalypse I think I'd be hard-pressed to find better. Tony Moore is an American comic book artist, whose work consists mainly of genre pieces, most notably in horror and science fiction, with titles such as Fear Agent, The Exterminators, and the first six issues of The Walking Dead.

Artists

Why I said "yes": Show is great (which was also recommended from above mentioned friend) and pure realization that I need to step out of my comfort zone when it comes to entertainment. ((You mean I can't read dirty romance novels and period pieces for life?)) I hated how the characters were penciled so inconsistently. Glenn in particular is either a fairly good-looking Asian kid, or a chubby and unattractive white boy. What the fudge? He's not a difficult character to draw - I mean, he doesn't even have hair. C'mon - a little more effort, please?