Cover art of volume one of the Tom de Haven and Jensen graphic novel adaptation, published by Epic Comics in 1989. Lim, Dennis (August 11, 2007). "Now Romancer". Salon.com. Archived from the original on May 1, 2008 . Retrieved October 30, 2007. Gibson, William (October 3, 2006). "Their Different Drummer". WilliamGibsonBooks.com. Archived from the original on October 21, 2007 . Retrieved November 4, 2007. The Sprawl trilogy was followed by the 1990 novel The Difference Engine, an alternative history novel Gibson wrote in collaboration with Bruce Sterling. Set in a technologically advanced Victorian era Britain, the novel was a departure from the authors' cyberpunk roots. It was nominated for the Nebula Award for Best Novel in 1991 and the John W. Campbell Memorial Award in 1992, and its success drew attention to the nascent steampunk literary genre of which it remains the best-known work. [48] [49]

Pesce, Mark. "Magic Mirror: The Novel as a Software Development Platform". MIT Communications Forum. Massachusetts Institute of Technology. Archived from the original on June 11, 2008 . Retrieved December 2, 2007. Lady 3Jane Marie-France Tessier-Ashpool: The shared current leader of Tessier-Ashpool SA, a company running Freeside, a resort in space. Grimwood, Jon Courtenay (February 9, 2002). "Big in SF". The Guardian (London) . http://www.guardian.co.uk/books/2002/feb/09/sciencefictionfantasyandhorror . Retrieved 2009-01-25.Irvine, Martin (1997-01-12). "Postmodern Science Fiction and Cyberpunk". Archived from the original on October 19, 2006 . http://web.archive.org/web/20061019064013/http://www.georgetown.edu/faculty/irvinem/technoculture/pomosf.html . Retrieved 2006-11-23. Gibson's vision, generated by the monopolising appearance of the terminal image and presented in his creation of the cyberspace matrix, came to him when he saw teenagers playing in video arcades. The physical intensity of their postures, and the realistic interpretation of the terminal spaces projected by these games– as if there were a real space behind the screen – made apparent the manipulation of the real by its own representation. [161] While logged into cyberspace, Case glimpses Neuromancer standing in the distance with Linda Lee, and himself. He also hears inhuman laughter, which suggests that Pauley still lives. The sighting implies that Neuromancer created a copy of Case's consciousness, which now exists in cyberspace with those of Linda and Pauley.

Armitage has Case and Molly steal a ROM module that contains the saved consciousness of one of Case's mentors, legendary cyber-cowboy McCoy Pauley.The New York Times bestselling author of Neuromancer and Agency presents a fast-paced sci-fi thriller that takes a terrifying look into the future. The Cyberspace Matrix, a synergistically linked computer network of databases that encompasses all information on Earth, has become home to sentient beings. But most of humanity remains unaware. Neuromancer is considered "the archetypal cyberpunk work". [15] and outside science fiction, it gained unprecedented critical and popular attention, [4] as an "evocation of life in the late 1980s", [16] although The Observer noted that "it took the New York Times 10 years" to mention the novel. [17] By 2007 it had sold more than 6.5 million copies worldwide. [11] a b Morgan, Richard. "Recommended Reading List". Archived from the original on April 11, 2010 . Retrieved July 4, 2010. Dave Langford reviewed Count Zero for White Dwarf #76, and stated that "This may not have the impact of Neuromancer 's first window on Gibson's future, but it's a far better novel." [4]

Pener, Degen (August 22, 1993). "EGOS & IDS; Deborah Harry Is Low-Key – And Unblond". The New York Times. Archived from the original on April 19, 2021 . Retrieved November 7, 2007. a b c d e Gibson, William (May 1994). "William Gibson Interviewed by Giuseppe Salza" (Interview). Cannes. Archived from the original on October 11, 2011 . Retrieved October 28, 2007.Orlowski, Andrew (April 25, 2003). "William Gibson 'gives up blogging' ". Music and Media. The Register. Archived from the original on August 14, 2007 . Retrieved November 3, 2007. Blue Ant Series". Goodreads. Archived from the original on April 19, 2021 . Retrieved November 26, 2017.

a b Platt, Adam (September 16, 1993). "Cyberhero". The Talk of the Town. The New Yorker. p.24. Archived from the original on February 23, 1999 . Retrieved November 6, 2007.

Award Winners & Nominees". Worlds Without End. Archived from the original on February 25, 2012 . Retrieved April 30, 2009. Poole, Steven (May 3, 2003). "Profile: William Gibson". guardian.co.uk. London. Archived from the original on January 25, 2014 . Retrieved April 27, 2010. a b c Shiner, Lewis; George Edgar Slusser; Tom Shippey (1992). "Inside the Movement: Past, Present and Future". Fiction 2000:Cyberpunk and the Future of Narrative. Athens: University of Georgia Press. ISBN 978-0-8203-1425-9. OCLC 24953403. Sci-Fi Writer, High-Tech Marketer on Awards Jury". Mediacaster. April 3, 2008. Archived from the original on January 28, 2013 . Retrieved April 21, 2008. a b Goldberger, Paul (August 12, 1990). "In San Francisco, A Good Idea Falls With a Thud". The New York Times. Archived from the original on October 13, 2007 . Retrieved November 6, 2007.