Alice is full of linguistic play, puns, and parodies. [45] According to Gillian Beer, Carroll's play with language evokes the feeling of words for new readers: they "still have insecure edges and a nimbus of nonsense blurs the sharp focus of terms". [46] The literary scholar Jessica Straley, in a work about the role of evolutionary theory in Victorian children's literature, argues that Carroll's focus on language prioritises humanism over scientism by emphasising language's role in human self-conception. [47] but! cheshire cat appearance. and "we're all mad here." huge quote for people with watercolor tattoos and hot topic graphic tees.

Its narrative course and structure, characters and imagery have been enormously influential in both popular culture and literature, especially in the fantasy genre. Turner, Paul (1989). English Literature, 1832–1890: Excluding the Novel. Oxford University Press. ISBN 0-19-812217-9. OCLC 18106770. All in the golden afternoon..."—the prefatory verse to the book, an original poem by Carroll that recalls the rowing expedition on which he first told the story of Alice's adventures underground

It would be reasonable", said Alice, in the grown-up tone she had sometimes heard her sister use, "It would be reasonable for you to explain what the book is about, so that I could put that in my review." Gänzl, Kurt (2001). The Encyclopedia of the Musical Theatre. Vol.1 (2ded.). Schirmer Books. pp. 28–29. ISBN 0-02-864970-2. OCLC 45715912. Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, “and what is the use of a book,” thought Alice, “ without pictures or conversations ?”» however, this book is not long, and it's not intimidating, and personally i will be reading this AND the sequel at a chapter-ish a day. Alice's Adventures in Wonderland [exhibition item]". University of Maryland Libraries. Archived from the original on 24 November 2021 . Retrieved 13 January 2023.

Marill, Alvin H. (1993). More Theatre: Stage to Screen to Television. Vol.1. Metuchen, New Jersey: Scarecrow Press. ISBN 0-8108-2717-4. OCLC 28183118. It's all so illogical and confusing. Alice (and everyone else in this novel) constantly contradicts themselves and each other. The whole thing is utter nonsense! Though, there are a few good puns: No wise fish would go anywhere without a porpoise. Ah well. I will try it again some day just to see if I was being a grump on the day I read it and I plan to read this to my future-kids to see if their youth will allow them to interpret this more positively. After all, if Ronan Lynch from [Book: The Raven Boys] loves it then I will force myself too.

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St. John, Judith, ed. (1975). The Osborne Collection of Early Children's Books: A Catalogue. Toronto Public Library. ISBN 0-919486-25-8. OCLC 2405401.

Carroll began writing the manuscript of the story the next day, although that earliest version is lost. The girls and Carroll took another boat trip a month later, when he elaborated the plot to the story of Alice, and in November he began working on the manuscript in earnest. [20] To add the finishing touches he researched natural history in connection with the animals presented in the book and then had the book examined by other children—particularly those of George MacDonald. Though Carroll did add his own illustrations to the original copy, on publication he was advised to find a professional illustrator so the pictures were more appealing to its audiences. He subsequently approached John Tenniel to reinterpret Carroll's visions through his own artistic eye, telling him that the story had been well liked by the children. [20]

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Una de las cosas que más me ha gustado de Alicia en el país de las maravillas es sentir que no estaba leyendo algo que ya conocía. Realmente sabía mucho, pero no sabía todo lo que tenía que saber. Sigo sin tener claro que lo sepa todo después de leerlo, ya que tengo esa sensación de que en cada diálogo hay un algo encerrado, una metáfora encubierta de algo más. Todo guarda una sorpresa. Me ha gustado mucho esa sensación.