Yang paling kusukai darinya adalah kenyataan bahwa baik manusia ataupun monster, jika mereka pada dasarnya berhati jahat, maka mereka jahat. Pun sebaliknya, jika mereka berhati baik, maka mereka baik (walaupun aku tidak tau apakah monster juga punya hati). Mungkin memang sengaja dibuat penceritaannya memang begitu sih, karena tujuannya adalah membedakan Acchi di malam hari dan Acchi di siang hari. Cuman rasanya ngantuk aja gitu pas baca. Also, there is a girl named Yano, who is very energetic in his class. Unfortunately, she got bullied because of her little bit of lousy noise, also some of the classmates think of her as a "strange person". She greets the classroom every morning with a playful voice but no one answers to her. Also, no one talks to her, and some serious bulliers even throw her books or shoes in the garbage box. Yep itu kutipan gak salah tulis. Itu diucapkan sama Yano. Meski gak diulas lebih dalam, aku rasa Yano ini autis. Dia kerap ga bisa baca suasana, agak gak tanggap, dan gaya bicaranya juga beda (terlihat dari penulisan dialog Yano). Bagian paling berkesan di buku ini jelas konflik batin Adachi di tengah bullying. Hal ini jugalah yg bikin aku suka banget sama buku ini.

Bagian favoritku di akhir ketika ucapan salam dan ketika Yano bilang begini ke Adachi. Huhu pengen peluk Yano dan Adachi T_T At Night, I Become a Monster bercerita tentang Adachi yg saat malam berubah menjadi monster. Karena bukunya tertinggal, Adachi pergi ke sekolah di malam hari dan bertemu Yano. Lewat keseharian Adachi, pembaca diajak menyelami perisakan yg terjadi di kelas 3-2. Irony: When he first enters the beast world, an overwhelmed Ren runs about on fours in a panic. It doesn't get anymore ironic than a human boy running about on all fours like a critter, whilst in a world full of anthropomorphic animals on two legs. I think, Adachi feels sorry for Yuno in his deep heart, but he didn't do any action to stop the bullying and that guilty feeling is the reason why he starts to become a monster at night. Later that year, Sumino collaborated with Idumi Kirihara, the artist of I Want to Eat Your Pancreas' manga adaptation, to create a manga named I Had That Same Dream Again ( また、 同 ( おな ) じ 夢 ( ゆめ ) をみていた , Mata, Onaji Yume o Mite ita ?), which Sumino later wrote a light novel adaptation of.I feel like there's a lot to work with here but it suffered from pacing issues and some loose ends that left me feeling perplexed. The internal conflict for Adachi of him struggling with his own morals and actions, of being a physical monster at night but a metaphorical one during the day. Whether people think so or not, being a teenager is really a scary time in your life. There's so much peer pressure to deal with in schools, and teenagers can be incredibly cruel and spiteful towards each other. Seeing Adachi struggle with wanting to protect Yano's midnight break but still being unable to stand up for her and even being a bully himself during the day was a very raw and realistic struggle for a character his age, and seeing how he had a serious self evaluation near the end when Yano asked him a question she initially asked when first meeting him, "Which is your real form? Daytime or Nighttime?" was quite intense to read. Battle Discretion Shot: The scene where Kyuta beats up the delinquents to rescue Kaede happens offscreen. Curb-Stomp Battle: After a little training, Kyuta easily defeats a gang of beast bullies and earns their respect. In the human world, he takes down the delinquent boys who were ridiculing Kaede with little effort. Secara keseluruhan novel ini bagus banget! Aku gak berhenti terkesima pas di akhir begitu menyadari pesan apa yang dibawa oleh novel ini.

Jujur, pas awal-awal baca akupun ngerasa bosan dan bingung sendiri. Nggak tahu ceritanya bakal dibawa ke mana dan maksudnya tuh apa. Baru pas ke sini, aku kaya semakin ikut diajak merenungi beberapa hal dalam hidup. Khususnya mengenai pertemanan pas jaman sekolah dulu. Jangan-jangan secara gak langsung aku pun pernah ikut merisak? Tapi merasa itu wajar aja karena semua orang juga melakukannya. Beneran bikin intropeksi diri deh. All There in the Manual: The novelization, also written by Hosoda, explains a few details not revealed in the movie, including the reason why Ren’s parents divorced. According to Ren’s perspective, his uncle (from his mother’s side of the family) disapproved of Ren’s mother’s marriage to Ren’s father, so he showed up at their apartment sometime before the events of the movie with a lawyer and forced them to separate. “It probably had something to do with the fact that I was ‘the only boy in the family and the precious future head of the house,’” Ren states. Aku suka dengan tokoh Yano yang dianggap aneh, freak, gak ngapa-ngapain aja nyebelin. Tapi dia ternyata lebih bijak daripada temen-temen sekelasnya. Yano yang keliatannya gak peduli dengan sekelilingnya, ternyata dia yang paling peduli.Furthermore, we never know what Yano's deal is. Is she neuroatypical? Does she have a disability? Her strange actions and speech impediment make her a target for her class's bullying, but the book never fills the audience in on just what her deal is. We never even learn anything about her other than she likes Ghibli movies, occasionally twists conversations around, acts out on impulse, and that she's weird. Some of her more morally questionable actions help her stay away from just being a classic victim character whose sole purpose is to garner sympathy from the audience, but Sumino doesn't really make much of an effort to flesh her out or give her any development other than her experiences at school. We don't meet her family nor know if she does anything outside of school, like hobbies or other interests. Kupikir udah aku lupakan, tapi pas baca buku ini, aku langsung ingat kejadian hari itu. Suasananya, cara dan ekspresi temanku yg bertanya kenapa aku ikut mengucilkan korban, dan alasan yg membuat X dikucilkan.... Maafkan aku. The Night. With its darkness, it paves a path for the bright stars. With its darkness, man falls tried, ascending to the world of dreams, in hopes one does not face towards the nightmare realm instead. With its darkness, fears allude and tension arises. The darkness is scary after all.

The main reason that the class has zeroed in on Yano as their target is an incident involving Yano going up to a quiet classmate, Midoriokawa, and throwing her book out of the class window. Midoriokawa is generally well liked, and never says much else besides "Mm," to her classmates, so this sudden act of aggression came as a huge surprise to the class, and caused a lot of hatred to be targeted at Yano. We find out later that Yano and Midoriokawa were friends but some undisclosed event happened that made them fight, leading to Yano's outburst. We never find out what that was! hal yang menurutku kurang digali lebih dalam lagi adalah mengenai character development nya. kaitan antar karakter itu gak diungkap sampai akhir. jadi kayak masi ada yg ganjel gitu. but, aku suka ceritanya. Memang iya tokoh utamanya berubah jadi monster, tapi cerita yang diangkat realistis dan dekat dengan kejadian sehari-hari. Pas diakhir aku akhirnya paham kenapa judulnya gini, terus malah jadi ketawa miris.Attempted by Kyuta at the end of the film. His final option to fight a berserk Ichirouhiko was to open his own void, absorbing Ichirouhiko in the process. He would then stab himself, thus taking both of their lives. However... Oya, sosok monster Adachi ini aspek fantasi yg gak perlu terlalu kamu pikirkan menurutku. Bisa dibilang ini sentuhan magical realism yg biasa ada di buku Jepang. Of course, the obvious thing that stands out about this anime is...well, the animation. There's this almost painting-like style to it, with crayon-esque shooting stars, picturesque watercolor hillsides, luminous butterflies, swirly trees, and so on. Not only is everything lusciously animated, from character movement to the dazzling spectacles on display when the characters of the day come to terms with their problems, everything has its own unique texture, and not once does the world feel sterile or like a cardboard cut-out. Yoru no Kuni is a series about dreams, and I think in that aspect, it succeeds in creating a perfect, dream-like atmosphere, and the bright visuals don't so much dazzle you as they do careess your eyes with its storybook-like animation. The music is pretty good here as well. There isn't a lot of it, contributing to the series' emphasis on ambience and atmosphere, and the insert songs are all well-timed, well-sung, and are always saved for just the right moment, allowing for stronger impact and emotional catharsis when the characters resolve their issues.

The film was released on July 11, 2015 in Japan and on January 13, 2016 in France. The film has also been licensed by Funimation and Madman Entertainment for release in the US and Australia respectively.

Baca Juga

Bagaimana hubungan Yano dan Midorikawa sebelum kejadian tersebut? Mengingat Yano pernah bilang, seseorang yang bertengkar hebat dengan sahabatnya tapi sahabatnya terlanjur jadi orang yang dirundung, aku pikir dia lagi nyeritain midorikawa.