COMES THE ELECTRIC CIRCUS

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The bandage covering her head poofed out over the opened area because her brain was so swollen, because the bleeding would not stop. It looked like a piece of popcorn that had begun bursting from its kernel. Her head was shaved. How solicitous of Nan to offer a drink to one of her servants before the meal. Richard apart, the serving classes are invisible in the Roy world. This series could be called Upstairs, Upstairs. As nothing came of Frankie mk1 I’d hazard a guess that Ambrose sent the recordings (or some of his own maybe?) to John and used the name? Holly released at least one solo single between Frankie mk1 and 2 so there was a gap, it’s a pity I didn’t see if there was a date on the letter. Looking up Reynolds on Wikipedia shows that he was pretty active on the music scene around Liverpool, later teaming up with ex-Big In Japan vocalist Jayne Casey to form Pink Industry and starting Zulu Records together, but one paragraph stood out:

Fascinating and heartfelt, Fontaine’s memoir brushes with death but, more important, finds life and light in unexpected places, giving value to otherness in an unpredictable world." — Booklist The venue was originally the Palace Cinema, then the Top Hat Club run by Bernard Manning and then a bingo hall. It became a heavy metal club in the 1970s until punk arrived there in 1976, [1] and Richard Boon [2] and Alan Robinson [3] started promoting nights there. However the building was in a poor state of repair and was closed in late 1977 due to objections from the fire service and Manchester City Council. [4] It re-opened briefly again in 1978 [5] as the New Electric Circus but by 1980 the building was demolished and replaced by housing. [6]Design work has been relentless since September (I’m not complaining) with multiple zoetropes in the works, an album for The Real Tuesday Weld under a new alias, work for De:tuned that should be announced in December and work for Castles In Space. This is alongside writing assignments for the second Dust & Grooves book, my weekly Mixcloud Select uploads and research for another book. The book features a cast of well-developed characters, each with their own motivations, fears, and desires. The protagonist is a deeply engaging and flawed character, navigating the trials and tribulations of adulthood with authenticity and honesty. The supporting cast of characters is also well-drawn, contributing to the overall sense of richness and complexity in the book. Press Attention: Acclaim from Notable Figures The book touches on several themes that are central to modern life, including the struggle to find one's place in the world and the idea of illusion and spectacle. The protagonist's sense of restlessness and dissatisfaction is a common experience for many young adults, making the book highly relatable. The circus serves as a metaphor for the fleeting nature of happiness and the often-unreliable nature of our perceptions, adding depth and complexity to the book's themes. Kent, David (1993). Australian Chart Book 1970–1992 (illustrateded.). St Ives, N.S.W.: Australian Chart Book. ISBN 0-646-11917-6.

Then in 1966 artist Andy Warhol and Paul Morrissey– who directed many of Warhol's films, and who became a sometime manager of the Velvet Underground – sublet the ballroom from Cassen and Stern, and turned the Dom into a nightclub. The Velvet Underground was the house band, and their performances under Andy Warhol's influence were accompanied by many light effects with the added touches of projected movies and projected photographs, all going on at the same time. The experience was called the " Exploding Plastic Inevitable." We are proud to present to you our spoiler-filled review of Spider-Man: Now way Home. Join us for the discussion and comment on what you thought about the movie too.Everytime I’m in New York, in the East Village, I stop on St Mark’s and bow my head. I wanted to have someone put up a plaque, but nobody in the stores knew who to call.”– Richard Bluejay

This is a memoir like no other. One in which reinvention means starting out as a heartbroken girl and becoming a fire eater, a snake charmer, an escape artist, an electric woman. These are not metaphors, and yet again they are: expertly developed, sustained, and revealed in intensifying and sometimes terrifying complexity, as Tessa Fontaine enters, embraces, and finally allows herself to be transformed by the carnival’s World of Wonders and the unforgettable cast of characters who calls the sideshow home.” More hoovering up the recent crop of promos and new finds in the second Bits & Bobs show of 2007 (not too great with the titles there but I was juggling 20 month old twins at the time). I kept my hand on her arm. The ventilator wheezed. Took my hand off to cover my mouth. I thought I’d scream. I thought I’d throw up every single thing I’d ever eaten. I needed to tell her the things I’d done such a shitty job telling her. Open. Your. Mouth. Speak. I walked into the room. Sat in a chair beside her bed. I knew she would not open her eyes. She would not say babygirl, that high-pitched, delighted greeting that was all mine.The big room was completely decorated with fabric amorphously draped on walls and spanning corners and cornices. Projectors behind the fabric ran continuous short loops of films. Of course it was dimly lit so as not to wash out the films. People were everywhere and moved mysteriously in the smoky dim light. I was born in Brooklyn and had already lived a few years in Manhattan, but I never saw anything like this before. The next time I saw EC the decor had changed. I never paid to get in because I was a member of the PABLO Light** show.”— Anonymous Philippe, Andre and Matt from the infamous but daparted Rat Records in Camberwell are part of Upside Down Record, Philippe’s new shop in Deptford.

A bad night for Roman, but his made-up-on-the-spot novel, The Electric Circus by Timothy Lipton sounds plausibly like a fine read. A spin-off, perhaps? Pennanen, Timo (2006). Sisältää hitin – levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 (in Finnish) (1sted.). Helsinki: Kustannusosakeyhtiö Otava. p.166. ISBN 978-951-1-21053-5. Chronicles of Fontaine’s frequently strange experiences with the carnival are interspersed with poignant reflections on the bonds shared by mother and daughter." — San Francisco Chronicle a b Prato, Greg. "W.A.S.P.- Inside the Electric Circus review". AllMusic. All Media Network . Retrieved October 17, 2019.These are nearly the last of the sessions that I recorded earlier this year in preparation for the Ramsgate Music Hall gig (which has just celebrated 10 years as a venue!). I’m hoping to get one more release out by the end of the year and there are some other pieces I’m saving for a label compilation that may come in cassette form in the new year which will tie up this phase of my label, Infinite Illectrik. There are a few more pieces floating around though; one will be coming out on a compilation early next year, another two will be part of a physical release on a new label at some point in 2024 too, more on that when I’ve finished the design. The Quadraphon is getting a companion soon which may change the whole set up and I also want to work on the hole in the catalogue, ii03, which still isn’t underway and is a very different beast. The Electric Circus was a nightclub located at 19-25 St. Marks Place between Second and Third Avenues in the East Village neighborhood of Manhattan, New York City, [1] from 1967 to August 1971. The club was created by Jerry Brandt, Stanton J. Freeman and their partners and designed by Chermayeff & Geismar. [2] With its invitation (from one of its press releases) to "play games, dress as you like, dance, sit, think, tune in and turn on," and its mix of light shows, music, circus performers and experimental theater, the Electric Circus embodied the wild and creative side of 1960s club culture.