Coming Up for Air (Penguin Modern Classics)

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The end of the book is pretty downbeat and this tone characterises the whole book and therefore might not be to everyone's taste. I loved it. I've already bought Orwell's ' Keep the Aspidistra Flying' which I will read soon. If you like any of the books I list at the start of this review then I'm confident you'd enjoy this book too. Kitapta böyle o kadar çok güzel nokta var ki... Mesela anlatım şeklini de çok sevdim hikayenin. Yazar direkt kahramanın bugünkü hayatından başlayıp geçmişe dönüp tekrar şu anki haline geliyor ama ne siz eski okur olarak kalıyorsunuz ne de kahraman eski kahraman olarak kalıyor. Adeta birlikte yoğruluyorsunuz hikayenin içinde. He’d think it was a wonderful thing that a son of his should own a motor-car and live in a house with a bathroom.” One of Orwell’s less well known novels; it is a rather bleak comic novel written and set in 1938/1939. It is a well written novel about nostalgia, the lower middle classes, relationships between men and women and middle age. Orwell is primarily a political writer and as he said himself, “Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for democratic socialism.” Given works like 1984 and Animal Farm, it isn’t surprising that this one can be forgotten.

Coming Up for Air is the seventh book and fourth novel by English writer George Orwell, published in June 1939 by Victor Gollancz. It was written between 1938 and 1939 while Orwell spent time recuperating from illness in French Morocco, mainly in Marrakesh. He delivered the completed manuscript to Victor Gollancz upon his return to London in March 1939. Ben sadece yaşamak istiyorum. Ve şu çuhaçiçeklerine, çitin altındaki kızıl korlara balarken yaşıyordum. İçinizde duyarsınız bunu; huzur verici bir şeydir ama aynı zamanda alev gibidir.

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He takes us from his earliest memories through his present, and all this remembering leads him to an adventure. It’s an unusual plot construction, but it allows Orwell to give us the long view of middle-class England in the first half of the 20th century. So this story had a reassuring effect on me. To think, George Orwell went through this--the feeling that everything that meant being alive to you was taken away. Then my father went through it, and now me. The universality of the feeling takes the sting away. If the future they feared became the past I loved, chances are, this will keep happening, as the world continues tumbling along. Joe Bowling is George's elder brother. He was not intellectual, and, according to George 'therefore he had a slight proficiency in mechanics'. He never did any sizeable amount of work and worked for his dad as an 'errand boy'. One day when George was younger, Joe stole all the money from the shop till. He was said to have always wanted to emigrate to America, and was never mentioned again. This first section is very reminiscent of H.G Wells, in his social novels such as “Kipps” or “The History of Mr. Polly”. We know that as a boy, Eric Blair did admire H.G. Wells, to the point of him being a favourite author. He enjoyed those novels, because they evoked particular aspects of life in England before the First World War, which made George Orwell recall comparable experiences of his own. Perhaps George Orwell had those novels in mind as a template. Their protagonists are very similar, although George Bowling tells his own story. In this final section George Bowling remembers the slow decline of his father’s seed business, mainly because a large attractive store belonging to a successful chain had opened nearby. George’s father had no idea why his business was failing, when he had always managed to break even before, but he died before he was made bankrupt. This painful memory has made George particularly sensitive and resistant to what he sees as the marching ravages of so-called “progress”.

The world changes constantly, as do people. But some events are like a shift in tectonic plates: the change is sudden and abrupt. The Great War changed something fundamental in the English lifestyle and George is just the right age to have watched the old world die and the new one take over. As such, he is disillusioned and feels disconnected from the world in which he lives because it is not the one he grew up in. He feels like an expat in his own country.It is said that nostalgia is felt more by the old. But even a four-year old will talk about when they were young, chat with a sense of maturity about when they were “a baby”; have memories of how things used to be. Sometimes they are happy memories, sometimes regretful, sometimes highly coloured in their imagination, just as ours are. The only difference seems to be that for tiny tots, their sense of time seems to stretch out more than for older people: Gone is the side-splitting humour, as we find ourselves immersed in George Bowling’s childhood. This is a world of innocence, and of vivid sights and smells; of boyhood, family life and rambling in the country. We read about George and his older brother, living in their parents’ shop in “Lower Binfield” near the River Thames. It is a seed merchant’s, but selling sundry items too, and has a peculiar dusty smell. Such shops were rapidly becoming outmoded, and going downhill. It saddens George to think of his father, working so hard at a soul-destroying business and barely keeping his head above water: George Bowling feels trapped in his marriage and in his job as a traveling insurance salesman. He's humorous, middle-aged, overweight, and fearful of an impending war with Hitler. As the title suggests, he feels like he is drowning in his life in present day England.

Somehow the reality never lives up to the memory. Places from childhood are always smaller and shabbier than imagined. You wonder just why you got on with those folks so well, as you are now all stumbling to find something to say. The holiday destination you dreamed of years ago looks nothing like the pictures in your mind. Yet you still feel a strange kind of ownership over somewhere that used to mean a lot to you, and a sense of loss. Something has drifted away without you noticing. The true beauty of the book is its description of the settings. A large chunk of the story is taken by George describing his youth and young adulthood in a time lost to us forever: before the War to End All Wars, then the world seemed a much safer place. As George puts it, it's a time you either know already and don't need to be told about, or a time you don't know and could never understand. Also important is Orwell's prescience for the future: war is looming, and George is well aware that it might change the world forever once again. Orwell kitabı çok yalın bir dille kaleme almış, süslü cümleler yok ama anlatılan onca düşünce var. Kitapta savaşın insanlar ve ekonomi üzerindeki etkilerini görüyor ve orta sınıfa mensup bir sigortacının ağzından okuyoruz. Kitabın dili öyle güzel ki, hem anlatmak istediğini anlatıyor hem de sizi hiç yormuyor, akıp gidiyor. Kitapta hem sistem eleştirisi, hem hayata bakış, yaşamın evreleri, savaş.. bir çok konu işleniyor ve hepsi de kitaba öyle güzel yerleştirilmiş ki, okuduktan sonra ufkunuzun açıldığını hissediyor ve yazarın değindiği noktalarla ilgili düşünmeye başladığınızı fark ediyorsunuz. Duecentonovanta pagine a fianco di George (omonimo dell’autore) Bowling, un quarantacinquenne pingue, tristemente sposato, che inizia a ricordare il giorno in cui si reca a Londra per ritirare la propria dentiera. Ricorda i primi anni del secolo, quando era un adolescente a Lower Binfield e arriva alla conclusione che niente come la pesca è stato importante nella sua vita. La pesca identifica la sua giovinezza, quello stagno pieno di sogni enormi dove sarebbe bastato far calare un amo, avere una canna e una lenza per tirarli su.

PART II

Orwell sen ne muhteşem bir yazarsın! Kitabın daha ilk sayfalarında bu cümleyi kurduyor Orwell, en ünlü eserleri 1984 ve Hayvan Çiftliği olsa da (ki onları çok severim), geri planda kalan eserleri de onlar kadar iyiymiş bu kitapla bunu daha iyi anladım. Kitabı okudukça sevdim, sevdikçe okudum. That’s probably all you need to know about George Bowling. Oh, except that he’s fat. George makes a lot of this in this account of his life. Again, it is something he is resigned to—being called “Tubby” by all and sundry—yet finds vaguely irksome. His creator “George Orwell” (in real life Eric Arthur Blair) was as thin as a rake, and 6 ft 2 in (1.88m)! Perhaps he wanted to make George Bowling his antithesis? But no. There are some similarities between the two, and frequently we see observations made by George Bowling which seem rather too knowing about himself; too astute and objective about the world to be consistent with the thoughts of this character. But the voice is familiar … In another chapter that I remember somewhat vividly from this novel, George reminisces about getting to spend a few months alone on an island, at some strange care-taking job, just sitting alone, reading and thinking. Coming up for air, you might say. Life might offer a peaceful interregnum here or there, Orwell suggests, but there's also an awareness throughout his work that the world will not simply allow us to go into hiding and read books. Not for long, anyway.