Rolling Stone UK Magazine (September, 2022) Harry Styles Cover

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As It Was’ is definitely the highest volume of men that I would get stopping me to say something about it,” he notes casually. Those conversations in his life are helping his songwriting. “For me, it doesn’t mean I’ll sit down and be like, ‘This is what I have for dinner, and this is where I eat every day, and this is what I do before I go to bed.’ But I will tell you that I can be really pathetic when I’m jealous. Feeling happier than I’ve ever been, sadder than I’ve ever been, feeling sorry for myself, being mad at myself, being petty and pitiful — it feels really different to share that.”

It’s changed how he approaches his songs. “For me, it doesn’t mean I’ll sit down and be like, ‘This is what I have for dinner, and this is where I eat every day, and this is what I do before I go to bed,’” he says. “But I will tell you that I can be really pathetic when I’m jealous. Feeling happier than I’ve ever been, sadder than I’ve ever been, feeling sorry for myself, being mad at myself, being petty and pitiful — it feels really different to share that.” Darling and Policeman make their big premieres at prestigious film festivals in Venice and Toronto late this summer, but Styles isn’t sure his pivot to the silver screen will be permanent. “I don’t imagine I’d do a movie for a while,” he says. There are rumors about how many Marvel movies he’s signed on for and other franchises he might be secretly in talks to do. (In response to a rumor he’ll be starring in a future Star Wars series, he says, “That’s the first I’ve heard of that. I’d imagine…false.”) After much discussion, the band mutually agreed to a hiatus, which was announced in August 2015 (Zayn Malik had abruptly left One D several months earlier). Fans were traumatized by the band’s decision, but were let down easy with a series of final bows, including a tour that ran through October. Styles remains a One D advocate: “I love the band, and would never rule out anything in the future. The band changed my life, gave me everything.” Removing it was a tough call because of how much he loves the song. “It’s one of my favorites on the album. Because the new album had come out, it felt strange to close the set with it because it’s from a different album. Everywhere we’ve put it in the set, it feels squeezed in. But I love the song still. It’s not like I’ve changed my mind on that one,” he said.

Lacy’s Gemini Rights and Nutini’s Last Night in the Bittersweet, both released this year, have been recent favorites for Styles. After reading Haruki Murakami’s Absolutely on Music: Conversations with Seiji Ozawa, Styles also got into classical pianist Glenn Gould, whoMurakami and Ozawa talk about in the book. (“I tried to listen to stuff as they were discussing, which was fun.”)

More than ever, he is thinking about the future. He wants to take meaningful time off at some point — from touring at least, he’s always writing — and ensure he’s a more present figure for his family and friends. In turn, he’s learned to define what real love looks like to him. “The fantasy, or the vision, or the version of you that people can build you up to be feels like a person that isn’t flawed,” he explains. “What I value the most from my friends is I feel like I’m constantly reminded that it’s OK to be flawed. I think I’m pretty messy and make mistakes sometimes. I think that’s the most loving thing: you can see someone’s imperfections, and it’s not [that you] love them in spite of that, but it’s [that you] love them with that.”Vest and Skirt by Vivienne Westwood, Shoes by ERL (Picture: Amanda Fordyce) Vest by Vivian Westwood. Styling by Harry Lambert for Bryant Artists; Stylist Assistants: Ryan Wohlgemut and Naomi Phillips; Fashion direction by Alex Badia; Production by James Warren for DMB Represents; Hair by Matt Mulhall for Streeters; Grooming by Laura Dominique for Streeters; Set design by David White for Streeters (Picture: Amanda Fordyce)

We walk out before the crowd fully disperses. Styles lingers a second to take some photos of the room before he heads out to get ready for his concert, where he’ll bounce around the stage, lifted by the wails of young fans who have been waiting years for this moment. My great uncle lives here,” Styles says of Hamburg. “He married a German lady, so I have a German cousin. They always used to come and visit when I was a kid, and the only word in English [the cousin] knew was ‘lemonade’. I didn’t know if she actually wanted lemonade or was trying to say ‘Give me some water, please!’”Their friendship was forged in the early stages of One D’s success, when the band debuted on The X Factor. Winston, then a filmmaker and production partner with Corden, asked for a meeting, and instantly hit it off with the group. He became a friendly mentor to Styles, though the friendship was soon tested. Styles had just moved out of his family home in Cheshire, an inconvenient three hours north of London. He found a home he liked near the Winstons in Hampstead Heath. The new house needed two weeks of work. Styles asked if he could briefly move in with Winston and his wife, Meredith. “She agreed,” Winston says, “but only for two weeks.” On past tours, he says, “I was getting to a lot of cities and feeling like ‘I’ve been here six times and I’ve never seen any of it.’” This tour, he’s been taking in a lot of architecture. “It’s something I can do on my own, just sit somewhere and look at stuff,” he says. Now, besides the unavoidable singles and the victory-lap world tour, there are other indicators of next-level stardom: his skincare, nail polish and clothing line called Pleasing and a fashion collection with Gucci, not to mention his flourishing movie career. He’s starring in the psychological thriller Don’t Worry Darling and in the intimate drama My Policeman, and he’s nabbed a deal with Marvel Studios to play Eros in at least one of the Eternals films. “Everything in my life has felt like a bonus since X-Factor,” he says, referring to the singing competition that led directly to One Direction. “Get on TV and sing. I never expected and never thought that would happen.” Christmas 2016. Harry Styles was parked outside his childhood home, sitting next to his father. They were listening to his album. After lunch at a pub, they had driven down their old street and landed in front of the family home. Staring out at the house where Styles grew up listening to his father’s copy of The Dark Side of the Moon, there was much to consider. It was a long way he’d traveled in those fast few years since “Isn’t She Lovely.” He’d previously played the new album for his mother, on a stool, in the living room, on cheap speakers. She’d cried hearing “Sign of the Times.” Now he sat with his father – who liked the new song “Carolina” best – both having come full circle. Taken from theOctober/November 2022issueof Rolling Stone UK. Buy it online now.Available on UK newsstandsfrom24 August. In This Article: