Lovesong (Oberon Modern Plays)

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Index entry". FreeBMD. ONS. Archived from the original on 14 July 2022 . Retrieved 25 February 2020.

That is the story of our beginning. And this is the story of…the end. Lovesong intertwines a couple in their 20s with the same man and woman a lifetime later. Their past and present selves collide in this haunting and beautiful tale of togetherness. All relationships have their ups and downs; the optimism of youth becomes the wisdom of experience. Love is a leap of faith. Telling the story of a couple, Love Song is split between a young William/Margaret and the older Billy/Maggie, depicting the highs and lows of a relationship. Morgan’s text weaves between the honeymoon period of early relationship bliss to the older, refined relationship of a couple who have been together some forty years. The stories twist between each other so at times an older Billy directs dialogue at a younger Margaret, and vice versa. Coupled with Graham and Hoggett’s signature physical movement, the relationship between the couple is physically played with, moving between straight dialogue and movement showing the topography of this couple’s relationship beautifully.Billed as “a new play about lifelong love”, Lovesong intertwines a couple in their 20s with the same man and woman a lifetime later. Bafta Film Awards 2012: Nominations". BBC News. 27 March 2012. Archived from the original on 18 January 2012 . Retrieved 17 January 2012. Abi Morgan’s love story time-warps us through the 40 years’ marriage of Maggie (Siân Phillips) and Billy (Sam Cox). That sometimes bumpy relationship is drawing to a close as Maggie’s increasing and terminal frailty forces the couple into making some drastic preparations. The powerful poignancy of the piece is further ratcheted up by the presence of their younger selves about to begin their journey into a long but childless marriage. Pain is never far away and the constancy of their relationship is tested as the years march on. White Girl, part of White (2008) – with Hettie Macdonald, won the TV Spielfilm Award at the Cologne Conference

LEANNE ROWE’S theatre credits include Dirty Dancing (West End), Talent (Menier Chocolate Factory) and Mysterious Skin (Gilded Balloon, Edinburgh). Her film credits include Jane Eyre (dir. Franco Zeffirelli) and Oliver Twist (dir. Roman Polanski.

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ABI MORGAN’S writing for the screen includes The Invisible Woman, the Margaret Thatcher film Iron Lady, starring Meryl Streep, the flagship BBC TV drama The Hour and the BAFTA award-winning drama Sex Traffic (Channel 4). She has recently collaborated with Steve McQueen and Michael Fassbender on the upcoming feature film Shame. She previously worked with Frantic Assembly on the much praised Tiny Dynamite, and her other previous writing for the stage includes The Night Is Darkest Before The Dawn (part of the Tricycle Theatre’s Great Game season), Fugee (NT New Connections), Tender (Hampstead) and Splendour (Paines Plough). LOVESONG sees acclaimed theatre company Frantic Assembly join forces with celebrated writer Abi Morgan for a new play about lifelong love. Lovesong intertwines a couple in their 20s with the same man and woman a lifetime later. Their past and present selves collide in this haunting and beautiful tale of togetherness. Lovesongby Abi Morgan was presented by Banbury Cross Players at The Mill Theatre from 5th to 8th July 2017.

Directed by Frantic Assembly’s artistic directors Scott Graham and Steven Hoggett, the production will tour the UK, beginning on 30 September 2011 at the Drum Theatre, Plymouth, with a three week London run at the Lyric Hammersmith from 11 January 2012 (Plymouth press night 3 October; London press night 12 January). In addition to previously announced tour dates, new dates have been added at the Citizens Theatre, Glasgow in February 2012. Bloomfield, Ruth (13 May 2015). "A Victorian Home in London's Stroud Green Gets a Modern Basement". Wall Street Journal. ISSN 0099-9660. Archived from the original on 17 April 2021 . Retrieved 17 April 2021. Leanne Rowe's theatre credits include Dirty Dancing (West End), Talent ( Menier Chocolate Factory) and Mysterious Skin (Gilded Balloon, Edinburgh). Her film credits include Jane Eyre (dir. Franco Zeffirelli) and Oliver Twist (dir. Roman Polanski. After initial ambitions to become an actress herself, she decided to become a writer while reading drama and literature at Exeter University. [5] She then took a postgraduate writing course at the Central School of Speech and Drama. [4] Writing career [ edit ] Theatre [ edit ]

Morgan lives in the north London neighbourhood of Stroud Green in Haringey, [13] with her husband, actor Jacob Krichefski, and their two children. They married in June 2021. [14] Krichefski has multiple sclerosis and developed anti-NMDA receptor encephalitis in 2018 after participating in a clinical trial; after six months in a medically-induced coma he had Capgras delusion and could not recognise Morgan. She wrote a memoir, This Is Not a Pity Memoir, describing these experiences. [14] It’s an incredibly well-cast production. The actors are well-matched in their respective incarnations of the couple. The play is directed by Frantic Assembly’s Scott Graham and Steven Hoggett, and the physical elements, the use of choreography, is superb throughout; the use of movement allows these two versions of the same couple to express themselves. Sian Phillips and Sam Cox in particular show their versatility as performers, undertaking a series of energetic moves that belie their maturity. The use of dance is well judged and works with the text, never overstaying its welcome or distracting from the overall work.