A sequel one-shot titled Marquee Moon, to be written by Peter Hogan and drawn by Peter Doherty, was announced but never released. [5]

Gaiman, Neil (5 December 2004). " 'The Annotated Brothers Grimm': Grimmer Than You Thought". The New York Times. Archived from the original on 20 May 2015. The Sandman Presents: Thessaly, Witch for Hire #1–4 (written by Bill Willingham, drawn by Shawn McManus, 2004) A story about a man obsessed with a woman he keeps seeing in Penthouse over a 20 year period who never ages. I saw early on where this was headed and that's OK, because it gives you exactly what you want out of a story like this. Blaam!: "The Great Cool Challenge" (with Shane Oakley, anthology one-shot, Willyprods/Small Time Ink, 1988) Inside, he’s met by old friends including landlady Miranda and Helena, her splendidly grumpy barmaid, played by Monica Dolan and Montserrat Lombard, respectively. Paul and Martyn round out the uneasy, tetchy group of regulars. Paul is an actor, resting between jobs and Martyn is a small, precise man who is frequently the butt of the jokes.

With issue #22, The Dreaming abandoned its initial anthology format in favor of a unified storyline by a single writer. [4] Litt also wrote a story starring the Dead Boy Detectives (drawn by Peter Gross) for Free Country: A Tale of the Children's Crusade, the collected edition of The Children's Crusade 2-issue series (1993–1994) Roots, Kimberly (6 June 2022). " The Sandman Sets Summer Release Date at Netflix — Watch New Trailer". TVLine . Retrieved 6 June 2022. The novel is framed as a series of stories one would expect to hear being told in divy little pubs that are always open late, hole-in-the-walls found in dark alleys where the beer is cheap and the talk is cheaper. Titles starring characters and/or based on concepts introduced or re-introduced by Gaiman during his run on The Sandman include:

The issue served as a launchpad for a number of series based on concepts created by Gaiman that exist within a shared universe; the series were produced mostly by the creative teams behind the short stories: Schwarz, Katie (9 November 1999). "Vertigo Frequently Asked Questions". rec.arts.comics.dc.vertigo. Archived from the original on 17 August 2000. This is said just as Daniel steps out of the cab and Gaiman leaves us, and him, to step through a door. That’s the show in a nutshell: leading us down familiar streets and then leaving us just before we realize we’ve never been here before.DC Comics MAY 2020 Solicitations". Newsarama. 14 February 2020. Archived from the original on 21 February 2020. Gaiman, Neil (25 March 2010). "A nobody's guide to the Oscars". The Guardian. Archived from the original on 27 March 2010. The Ocean at the End of the Lane (read by Gaiman, released by HarperAudio in 2013, ISBN 0-0622-6303-X)

It's brutal to give 4 stars out of 5... 5 out of 5 should be choice... the stories are going to keep you awake... for a very long time. This here stories aren't just some kind of fantasy or a lie... it's what's the truth behind each wall. HOUSE OF WHISPERS VOL. 3: WATCHING THE WATCHERS". dccomics.com. Archived from the original on 25 November 2020. The one-shot was followed by four ongoing series produced mostly by the creative teams behind the short stories: Kallies, Christy (20 December 1998). "Caitlin R. Kiernan: Traveling Through Dreams". Sequential Tart. Archived from the original on 3 August 2001. The Flash Girls' The Return of Pansy Smith and Violet Jones (1993), Maurice and I (1995) and Play Each Morning Wild Queen (2001)

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The first printing of this volume included issue #8, which was later moved to Preludes and Nocturnes.

Guardians of the Galaxy vol. 3 #5–8 (as "consultant" — due to the Marvel debut of the character Angela; written by Brian Michael Bendis, drawn by Sara Pichelli and other artists, 2013) Gaiman, Neil (30 April 2005). "The Speech I Just Gave at the Nebulas". neilgaiman.com. Archived from the original on 7 May 2005. He accepts that while ambiguity can work in prose, it’s often harder on screen – precisely why Forsyth and Pollard had their work cut out. Gaiman says, “It wasn’t the normal thing of ‘we’ll send you the script for your comments’, it was more them phoning up and saying: ‘What were you thinking, why did they do this?’ I would wind up explaining the iceberg underlying the story. It’s all right to be coy and evocative in a story, but you’d better at least know yourself.”

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Elle Fanning to Star in Neil Gaiman Adaptation 'How to Talk to Girls at Parties' (Exclusive)". The Hollywood Reporter. 9 July 2014 . Retrieved 3 September 2016. Telling Tales (five short stories and poems read by Gaiman with percussion by Robin Anders, released by DreamHaven in 2003, ISBN 1-892058-06-5) Destiny: A Chronicle of Deaths Foretold #1–3 (written by Alisa Kwitney, drawn by Kent Williams, Michael Zulli (#1), Scott Hampton (#2) and Rebecca Guay (#3), 1997) In 2006, DC Comics began reprinting The Sandman in a series of comprehensive Absolute Editions with recolored and partially remastered art (also used in subsequent collected editions): Sandman Midnight Theatre (script by Gaiman from a plot by Gaiman and Matt Wagner, art by Teddy Kristiansen, one-shot, Vertigo, 1995)