Rebanks explores the changes of farming methods from small family farms, to larger farms that focused on machinery, genetics and businesses to now looking at a striking a balance between two- allowing ecosystems to flourish which in turn makes the land better and richer through returning to older methods, rewilding projects etc. What is good is he does so without a rose tinted naive outlook but is realistic at the challenges faced too. Near the end of the book, as he catalogues all the changes that must occur to combat the farming crisis, he implicates the reader by switching to the pronoun “we.” His rhetoric fails to inspire because unlike the memoir portions of Pastoral Song, he discards concrete details for abstract ideas. He writes: “We are all responsible for the new industrial-style farming. We let it happen because we thought we wanted the sort of future it promised us. Now, if we want a different kind of future, we need to make some difficult decisions to make that happen.” What decisions need to be made? How will they affect the future? Even in the climax to this section, he drifts into generalization: “Some of the solutions are small and individual, but others require big political and structural changes.” Rebanks is on a passionate crusade to spread the word on “how can we farm in ways that will endure and do the least harm?” He maintains that “[a]pplying industrial thinking and technologies to agriculture to the exclusion of other values and judgments has been an unmitigated disaster for our landscapes and communities.” He goes on to say that “to have healthy food and farming systems we need a new culture of land stewardship, which for me would be the best of the old values and practices and a good chunk of new scientific thinking.” If I could, I would make this required reading for everyone. Regardless of where they live in the world. (America, you probably need to read this almost more than anyone else!) This is a painful read at times, but it's also full of transcendent beauty and hope. While we understand the absolute urgency of these times, we choose to see that urgency stemming from the too often crippling arrogance and stupidity of academia, governance, and corporate board rooms. Humans are OF nature. The premise that our species is somehow separate and expected to correct and improve on nature, that premise is what got us here. Now, authors such as Rebanks argue we are best suited to correct the problem. Every second of every day, the supreme force that is Nature works to correct the problems that humans cause – sometimes successfully.

Particularly striking is the image of a young Rebanks lying under a tree devouring Rachel Carson’s Silent Spring—a book that changed his perspective on pesticide use and, he admits, changed his life. In later sections, an environmentalists named Lucy appears to offer ideas, as well as financial support, to improve water and habitat conservation on the farm. Her ideas take root and revitalize Rebanks’s perspective on stewardship. Rebanks's prose is sometimes simple but often lyrical as he describes the landscape and nature around his fells farm in the Lake District of England. He says that the literary tradition of the Lake District was mostly about the middle class and asks, "Where were the farmers?" He writes about the forgotten farmers and his long legacy on the land. His family has lived in this area for hundreds of years. James Rebanks’s fierce, personal description of what has gone wrong with the way we farm and eat, and how we can put it right, gets my vote as the most important book of the year ...Some books change our world. I hope this turns out to be one of them.”— Julian Glover, Evening StandardEach of the chapters is named slightly ironically: the first chapter does not hide some of the brutal realities and precariousness of his Grandfather’s approach; the second commendably tries to be partly even handed about the change (recognising what it has done to enable more people to be fed alongside concentrating on all that has been lost) and the third is far from a utopia but a very deliberate compromise the author has made which he knows will disappoint both “die hard production focused farmers” and “extreme wilderness-loving ecologists” James Rebanks combines the descriptive powers of a great novelist with the pragmatic wisdom of a farmer who has watched his world transformed. English Pastoral is a profound and beautiful book about the land, and how we should live off it.”— Ed Caesar,contributing writer, The New Yorker James Rebanks family has been farming in the Eden Valley in Cumbria for many years. He learned his craft particularly from his grandfather whose methods of framing owed much to the past. His own father stood on the cusp of the old and the new economical and industrial framing which caused him a great deal of internal conflict. Now it is James turn to inherit the land - in which direction will he err, the old or the new?

Rapturous … a paean to a more life-enhancing approach to farming … For Rebanks writing and farming have proved complementary: while working long hours on the land he has produced a book in a pastoral tradition that runs from Virgil to Wendell Berry.”— Blake Morrison, Guardian A] lyrical ode to traditional farming...Shot through with lyrical prose and intimate family memories, this is an immersive and stimulating call for change." - Publishers Weekly James Rebanks’s story of his family’s farm is just about perfect. It belongs with the finest writing of its kind.”— Wendell Berry Example? I say it is a good book, much of it superb writing, with paradoxical messaging that bites itself on the ankle several times. The text comes entirely from a shepherd-writer at once torn by his journey while still living this story’s outcome right now. The book IS for the most part hot on target, stirring, elegant and vital. BUT, it too often slips and becomes side-swiping, a ‘realist’s harangue’ against those who are the better and best examples because their courageous farming comes from passion and a perpetual husbandry-alignment with nature. We are choking to death on our own freedoms. The merest mention that we might buy less, or give anything up, and we squeal like pigs pushed away from the trough.”

The New York Timesbestselling author of The Shepherd’s Lifeprofiles his family’s farm across three generations, revealing through this intimate lens the profound global transformation of agriculture and of the human relationship to the land. The demise of family farms means that there are fewer and fewer people living in rural areas and that is why communities are dying on the vine and why there are fewer houses and trees – and it is also why I feel no attachment to the place where I lived from age five to age twenty-one. Today, there are no buildings or trees or any evidence that anyone has ever lived on it; it’s just 160 acres of dirt that belongs to a corporation. This is an extremely informative and absorbing memoir about the changes in agriculture across three generations. James shares some serious issues and concerns, and he relates where he believes things went wrong, and what he’s doing on his own farm to ensure a sustainable future, both financially and ecologically for his own children. Rebanks' lifetime spent farming gives this book its credibility; his sensible tone gives it its power. And his eloquence describing his beloved farm gives it its beauty." — Minneapolis Star Tribune The New York Times bestselling author of The Shepherd’s Life profiles his family’s farm across three generations, revealing through this intimate lens the profound global transformation of agriculture and of the human relationship to the land.

This book won the Wainwright Prize for UK nature writing (2021), was on the longlist for the Orwell Prize for political writing (2021) and made the shortlist for The Royal Society of Literature Ondaatje Prize (2021). What a terrific book: vivid and impassioned and urgent – and, in both its alarm and its awe for the natural world, deeply convincing. Rebanks leaves no doubt that the question of how to farm is a question of human survival on this hard-used planet. He should be read by everyone who grows food, and by everyone who eats it.”— Philip Gourevitch The main thrust I think of the author’s arguments is captured in this compromise. At its worse this seems to be rather resentful of both sides: he seems to share equal dislike for the world of neo-liberal free-trade and globalised economics (economists in particular seem to be his rather odd bête noire) and for left-wing extremists (George Monbiot is not named in the book but the two seem to have a history of opposition). But more commonly he argues against entrenched positions (that farmers are either all bad or all good) and bifurcation (for example colleges which turn out either economics focused MBA farmers or nature loving ecologists but without ever bringing the two into dialogue). Hailed as "a brilliant, beautiful book" by the Sunday Times (London), Pastoral Song (published in the United Kingdom under the title English Pastoral) is the story of an inheritance: one that affects us all. It tells of how rural landscapes around the world were brought close to collapse, and the age-old rhythms of work, weather, community and wild things were lost. And yet this elegy from the northern fells is also a song of hope: of how, guided by the past, one farmer began to salvage a tiny corner of England that was now his, doing his best to restore the life that had vanished and to leave a legacy for the future. James Rebank is a farmer, son and grandson of farmers. When the old style of farming - mixed and rotational - made a final shift towards industrialised farming, he had a front row seat. Some of what he recounts, I already knew. I grew up in rural Dorset, went to school with farmers' children, played on their farms and saw some of this shift for myself - although it would be many years before I really understood what I was seeing. Even after those realisations bore fruit, there was a level of nuance that I just didn't have. Like James, I am a country person. I know the plants, trees, birds, wildlife. I feel an intense connection to the land. Everything he says here lands on fertile soil with me, confirming much of what I did know and deepening my understanding in other ways.Our land is like a poem, in a patchwork landscape of other poems, written by hundreds of people, both those here now and the many hundreds that came before us, with each generation adding new layers of meaning and experience. And the poem, if you can read it, tells a complex truth. It has both moments of great beauty and of heartbreak. It tells of human triumph and failings, of what is good in people and what is flawed; and what we need, and how in our greed we can destroy precious things. It tells of what stays the same, and what changes; and of honest hard-working folk, clinging on over countless generations, to avoid being swept away by the giant waves of a storm as the world changes. It is also the story of those who lost their grip and were swept away from the land, but who still care, and are now trying to find their way home. Superbly written and deeply insightful, the book captivates the reader until the journey’s end.” — Wall Street Journal To the details: Pastoral Song is the sort of volume which SHOULD (and sometimes does) give the unapologetic side-eye to the economist’s mantra, instead we hear “we have to be realistic…” Instead we get homage to the ‘inevitable’ reality of economics, homage couched in conflicted melting regret. Instead contradictions in the polemic structure confuse by setting the book with either/ or tropes, either you are over here or you are the enemy, and then pretending that was never ’neath the message. What particularly stood out for me in this book was how Rebanks showed many themes are intertwined. With farming modernised and following business models and looking at scientifically engineering genetics of crops and animals this has a negative effect on the quality of soil, isn’t sustainable, wildlife is lost and becomes extinct and interestingly human communities too begin to break down. We are more entertwimed then we realise and we need to wake up and start thinking about this soon.

Superbly written and deeply insightful, the book captivates the reader until the journey’s end.”— Wall Street JournalRebanks has a gift for capturing both the allure of his beautiful surroundings and his difficult work, and for articulating the complex, worrisome issues facing farmers today. Pastoral Song enchants. ... Urgently conveys how the drive for cheap, mass-produced food has impoverished both small farmers and the soil, threatening humanity's future." — NPR.org, What We're Excited to Read Next Month Anyway I am glad this book seems to be very well liked by so many people. I hope you can read it! 😊