Ariadne: The Mesmerising Sunday Times Bestselling Retelling of Ancient Greek Myth

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Metaphysical painter Giorgio de Chirico painted 8 works with a classical statue of Ariadne as a prop. Staphylus, Oenopion, Thoas, Peparethus, Phanus, Eurymedon, Phliasus, Ceramus, Maron, Evanthes, Latramys, Tauropolis, Enyeus and Eunous This was possibly my most anticipated read of 2021 and it was everything I hoped for and more. I devoured this book in a few days and dropped all my other books to focus solely on this one. I was invested in the sisters stories: both Ariadne and Phaedra, how they survived in a world where men and Gods rule.

Ariadne, played by Aiysha Hart, is a major character in the BBC series Atlantis (2013), which is loosely based on Greek myths. She falls in love with Jason and helps him conquer the Minotaur and escape the labyrinth. Later, her stepmother, Pasiphae tries to prevent their union. On a side note, Pasiphae, Ariadne's mum is actually the sister of Circe, said to have considerable witch like abilities too. I'm surprised that Saint didn't explore that more. It would have been quite believable that Ariadne had been taught some of these techniques. Equally, the dancing that Ariadne does at the beginning of the novel just disappears, it seemed like such a useful tool to be used with Dionysus later on. Many missed opportunities. while this isnt the book i was expecting - i figured this would solely be a retelling of the minotaur, but actually follows ariadnes entire life (the minotaur is only like the first 25%) - but thats because i wasnt familiar with ariadnes story in depth. i really enjoyed getting to know more about her outside of her fathers kingdom. i found her relationship with dionysus fascinating and the alternate perspective of theseus refreshing. For example on the mirror engraving reproduced in Larissa Bonfante and Judith Swaddling, Etruscan Myths, The Legendary Past series, University of Texas/British Museum, 2006, fig. 25, p. 41.The classical references to these progeny are at "TheoiProject: Ariadne" and "Theoi Project: Dionysus Family". Euanthes, Latramys, and Tauropolis are only mentioned in scholia on Apollonius Rhodius, Argonautica, 3. 997. Even though Ariadne does indeed become the wife of Dionysus and have children with him, the dynamic of their relationship doesn’t make any sense either. It was sweet in the beginning, but it soured due to the author’s choice of deciding to hide different aspects of Dionysus from Ariadne. Mainly just the author trying to come up with some sort of emotional conflict that didn’t need to happen, and would have been much more interesting to have the darker aspects of Dionysus shared and explored with Ariadne. Especially since classical art DEPICTS her participating in his rituals with the Maenads and Satyrs. So the characterization was dull and off-putting, which is something I never could have imagined for the god of wine, revelry, ritual madness, and religious ecstasy. The Roman author Hyginus identified Ariadne as the Roman Libera, bride to Liber. [35] [36] Festivals [ edit ] A mesmerising retelling of the ancient Greek myth of Theseus and the Minotaur. Perfect for fans of CIRCE, A SONG OF ACHILLES, and THE SILENCE OF THE GIRLS. the writing in this is also lovely. not quite on the level of madeline miller (an impossibly high standard, tbh), but still has moments of beauty. there are quite a few moments of characters recounting tales, which reminded me so much of traditional greek oral storytelling, so that was nice to see. i also think this story offers a great commentary on the role women play in the world of men and gods and gives ariadne (as well as her sister) a much deserved voice.

Why do you think Phaedra commits suicide? How does that choice reflect both her powerlessness and her power? How do you think she will be remembered? What I did not know was that I had hit upon a truth of womanhood: However blameless the life we lead, the passions and the greed of men could bring us to ruin, and there was nothing we could do.”

Minotaur | Definition, Story, Labyrinth, & Facts | Britannica". www.britannica.com . Retrieved 2023-05-10. LacusCurtius • Greek Festivals — Ariadneia (Smith's Dictionary, 1875)". penelope.uchicago.edu . Retrieved 2023-05-11. Unlike Ariadne, Phaedra doesn't remember a time before the Minotaur: "I had always known that monsters existed. I could not fear the destruction of all that was good because everything had been ruined before I could remember and I had grown up in the tattered, stained remnants of my sister's golden days. She knew what it was to lose everything but I had nothing to begin with." How do the sisters' differentchildhoods change their outlooks on life? Compare and contrast their personalities This is a tale that deftly explores the myriad ways in which women were subject to and at the mercy of men and gods. Be they poor or rich, young or old, peasant or queen, no one is exempt and motherhood is fraught with danger. From growing up with the Minotaur for a brother and a cloud of shame over her mother (punished by the gods for her husbands hubris) to becoming the wife of Dionysus, nearly forgetting he was never really human, we follow the story of Ariadne and her sister Phaedra through a world where women bear the weight of men's missteps and they are too easily cast aside or dismissed. What am I supposed to take from this? That it's impossible for Ariadne to break out of the suffering that men (and gods) cause in creating their legends? She certainly doesn't try - the woman is so passive that she knows nothing about the world or about her own husband. It would be better to write this as a tragedy and show an active heroine who tries to break out of the fate set for her, and who chooses Dionysus because he is interesting and powerful.

In creating a "biography" for a historicized Ariadne, Theseus' having abandoned her on Naxos explains her presence there; in assembling a set of biographical narrative episodes, this would have had to be placed after her abduction from Knossos. In keeping with the office of Minos as King of Crete, Ariadne came to bear the late title of "Princess". The culmination of this rationalization is the realistic historicizing fiction of Mary Renault, The Bull from the Sea (1962). But retellings come in many forms and guises. In my debut novel Pandora I wanted to explore female agency and the complexities of human nature, all through the richness of a Georgian lens using the myth of Pandora’s box as an anchor. All the works I’ve chosen have interpreted the Greek myths in different ways, but they are all testament to how these ancient stories have got under our skin. I agree with much which has already been written. None of the men in the story would be considered role models with the possible exception of Daedalus. Private, quiet lives would be the best she could wish for her own sons. - patriciagWhen Theseus, Prince of Athens, arrives to vanquish the beast, Ariadne sees in his green eyes not a threat but an escape. Defying the gods, betraying her family and country, and risking everything for love, Ariadne helps Theseus kill the Minotaur. But will Ariadne's decision ensure her happy ending? And what of Phaedra, the beloved younger sister she leaves behind?

I also felt that Hera's presence in the novel was in some ways a missed opportunity. She's always there as Araidne's enemy by proxy but we never really explore how the white-armed goddess (not the greatest of epithets) of marriage and birth, the protector of women, and the queen of all gods could have it in for these poor women, exploited by her King of the Gods husband, her Olympian brothers and their children. Instead as Ariadne points out. Barthes, Roland, "Camera Lucida". Barthes quotes Nietzsche, "A labyrinthine man never seeks the truth, but only his Ariadne," using Ariadne in reference to his mother, who had recently died. Ariadne married Dionysus and became the mother of Oenopion, the personification of wine, Staphylus, who was associated with grapes, Thoas, Peparethus, Phanus, Eurymedon, Phliasus, Ceramus, Maron, Euanthes, Latramys, Tauropolis, [13] Enyeus, [14] and Eunous. [15] Ariadne's family Relation

In following Ariadne, Saint can both build a narrative that can rival any modern novel and play with the different versions of myths and how each telling is always an interpretation, which must decide which characters are to be celebrated and which are to be demoted to insignificance, or blamed for their own fates. Ariadne, Princess of Crete, grows up greeting the dawn from her beautiful dancing floor and listening to her nursemaid's stories of gods and heroes. But beneath her golden palace echo the ever-present hoofbeats of her brother, the Minotaur, a monster who demands blood sacrifice every year. Ariadneia (ἀριάδνεια) festivals honored Ariadne and were held in Naxos and Cyprus. According to Plutarch, some Naxians believed there were two Ariadnes, one of which died on the island of Naxos after being abandoned by Theseus. The Ariadneia festival honors Naxos as the place of her death with sacrifices and mourning. [3] [37] Paeon, as stated by Plutarch, attributes the Ariadneia festival in Cyprus to Theseus, who left money to the island so sacrifices could be made to commemorate Ariadne. Sacrifices were held in the grove of Ariadne Aphrodite, where Ariadne's tomb resided. During these sacrifices, a young man shall lie down and mimic a woman in labour by crying out and gesturing on the second day of the month, Gorpiaeus. One silver and one bronze statuette were also constructed in her honor. Richard Strauss's standard repertory opera Ariadne auf Naxos of 1912 was preceded by a L'Arianna each by Claudio Monteverdi in 1608, and Carlo Agostino Badia in 1702; Ariadne by German composer Johann Georg Conradi in 1691 and Arianna in ca. 1727 by Benedetto Marcello; and by non-operatic Ariadne auf Naxos works including a cantata based on the Heinrich Wilhelm von Gerstenberg poem, Jiri Antonin Benda's 1775 melodrama Ariadne auf Naxos, and Joseph Haydn's 1790 cantata Arianna a Naxos.