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The Artwork: The artwork in this is mainly consistent with the book. As much as I appreciate Martin Freeman’s version, he didn’t quite have the exact appearance of Bilbo. This is only a minor thing. But, in this, Bilbo is as fat and ugly as he should be. Hobbits aren’t supposed to be the most attractive of races. In this he is rendered well, as are the dwarves and Gandalf. My only issue on a character level is Smaug. He just seemed really awkward. In other depictions, such as Allan Lee’s, he is quite splendid and swift. In this he looks old, rusty, and to be quite frank, plump. He just didn’t look much like the mighty dragon that he is; yes, he is old; yes, he is has become lazy, but he shouldn’t look like his wings wouldn’t carry him.
He was DC's most prolific Batman-writer in the mid-1990s (rivalled perhaps in history by Bill Finger and Dennis O'Neil) - in addition to writing Detective Comics he pioneered the individual series for Robin , Nightwing (which he wrote for 70 issues, and returned to briefly with 2005's #101) and Batgirl , as well as creating the team and book Birds of Prey . The Hobbit' is the story of Bilbo Baggins…a quiet and contented hobbit whose life is turned upside down when he joins the wizard Gandalf and thirteen dwarves on their quest to reclaim the dwarves' stolen treasure. It is a journey fraught with danger – and in the end it is Bilbo alone who must face the guardian of this treasure, the most-dreaded dragon Smaug.First published over 50 years ago, J.R.R. Tolkien's 'The Hobbit' has become one of the best-loved books of all time. Now Tolkien's fantasy classic has been adapted into a fully painted graphic novel. The name The Hobbit refers to more than one character, item or concept. For a list of other meanings, see The Hobbit (disambiguation). It feels like a far daintier and quieter tale than the original, despite this faithfulness. It is always interesting, in any retelling, to see what an individual chose to deliver as the most important features, and discovering this was what I most enjoyed here. There are a few negative qualities about this book. In some parts it gets too descriptive and it seems like the narrator talks forever, describing to the extent that it feels like there isn't an end to the words! The characters are very honest with each other, but sometimes it just doesn't matter and wastes time. When the narrator said, "Dwarves are not heroes, but calculating folk with a great idea of valuing money," it was pointless and had no pertinence to the story. Sure, it tells you information about the Dwarves and was semi-apologetic for what was previously said, but as the reader it just doesn't matter. Sometimes, the book is just spread out too far. When they said, "The most that can be said for the dwarves is this: that they intended to pay Bilbo really handsomely for his services; they had brought him to do a nasty job for them, and they did not mind the poor little fellow doing it if he would..." They could have made that same sentence but with more pertinence to the story. It has a few words that are confusing and it takes a while to understand. The Hobbit is the story of Bilbo Baggins, a quiet and contented hobbit whose life is turned upside down when he joins the wizard Gandalf and thirteen dwarves on their quest to reclaim their stolen treasure. It is a journey fraught with danger - and in the end it is Bilbo alone who must face the guardian of this treasure, the most-dreaded dragon, Smaug.
On the other hand, the illustrations are beautiful. Water-colored works of art grace the reader's eyes, always magnificent to look at. Indeed, David Wenzel did an amazing job of drawing the scenes and crafting the characters. Gandalf is perfect, as are the Dwarves and Bilbo. Smaug is awesome (when are dragons not?). The Elves weren't how I imagined them, but still fit the overall stylistic themes of the book. Please note that this review is for a graphic adaptation of The Hobbit by J.R.R. Tolkien. For my review of the original book, please link here: But, what I will say is that this brings the story to life. Well, that’s a bad phrase. Tolkien’s story is already alive when you read it. What I mean is that this presents it in a medium that allows you to physically see it rather than just visualise it. Is that better? No I think not. Let me try again: this provides illustrations to aid with an abridged version of the story; it enhances the experience, somewhat, because the artwork is so appropriate.Of course a one volume release was also the best time to create a limited signed edition. And so Eclipse Books made 600 copies and had them signed and numbered by David Wenzel. All of them at once,” said Bilbo. “And a very fine morning for a pipe of tobacco out of doors, into the bargain. If you have a pipe about you, sit down and have a fill of mine! There’s no hurry, we have all the day before us!” Then Bilbo sat down on a seat by his door, crossed his legs, and blew out a beautiful grey ring of smoke that sailed up into the air without breaking and floated away over The Hill.
J.R.R. Tolkien (1937-present) · Eric Fraser ( The Folio Society: 1979, 1992-present) · Michael Hague (1984-1992) · David T. Wenzel ( graphic novel: 1989-present) · Alan Lee (1997-present) · David Wyatt (1998-2001, 2012-2013) · John Howe (pop-up: 1999) · Jemima Catlin (2013-present) The Hobbit is the story of Bilbo Baggins, a quiet and contented Hobbit whose life is turned upside down when he joins the wizard Gandalf and thirteen dwarves on their quest to reclaim stolen treasure.In 1986, he began working for Eclipse Comics, writing Airboy with artist Tim Truman. Continuing to write for both Marvel and (mainly) Eclipse on these titles, as well as launching Strike! with artist Tom Lyle in August 1987 and Valkyrie with artist Paul Gulacy in October 1987, he began work on Carl Potts' Alien Legion series for Marvel's Epic Comics imprint, under editor Archie Goodwin. He also produced a three-issue adaptation of J. R. R. Tolkien's The Hobbit for Eclipse with artist David Wenzel between 1989 and 1990, and began writing Marc Spector: Moon Knight in June 1989. Decir ante todo que es una versión adaptada del libro, con lo que es normal que su extensión se reduzca y haya pasajes que se resumen en una página o poco más. Pero aun así, la obra de Tolkien es perfectamente reconocible bajo los trazados de cada viñeta. Basta echar un vistado a un paisaje, a un orco o a un enano para darse cuenta de que estamos observando Tierra Media en todo su esplendor. The movie adaptations are even bleaker and more despairing than the book, but this feels more hopeful and full of light than either of them. I already knew I was going to love the bones of the story but I love the direction this took and how the focus remained on Bilbo throughout, rather than the feats of the other characters. I was surprised how much I enjoyed this book, as I am not the target audience for graphic novels, and consequently not very easy to please. This version of the Hobbit is quite dense for a graphic novel, with a lot of narration. There are some interesting choices in what to include, as goes for any adaptations of prose novels to other mediums, and I probably would have cut some more of the endless descriptions of travels and stretched out some more adventures. But it still overall works.
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