Please Kill Me: The Uncensored Oral History of Punk

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Please Kill Me: The Uncensored Oral History of Punk

Please Kill Me: The Uncensored Oral History of Punk

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The Stooges got the IRS to stop bothering them about back taxes by explaining they were drug addicts and, therefore, bad with money. Denizens remember when downtown Manhattan was the epicenter of a musical and cultural earthquake whose aftershocks are still felt long after its initial impact. Download Please Kill Me: The Uncensored Oral History of Punk by Legs McNeil in PDF format complete free. I am also the author of three well-received artist biographies: B asquiat: A Quick Killing in Art; Lucian Freud: Eyes Wide Open; and Alice Neel: The Art of Not Sitting Pretty. Eric Davidson, front man of the Ohio-based New Bomb Turks, is equally adept at rocking, rolling and writing.

Please Kill Me: The Uncensored Oral History of Punk

After the horrendous disappointment that was American Hardcore, I decided to pick up this book, an old favorite, to see if my younger self was delusional. Though Britain’s notorious Sex Pistols shoved punk rock into the face of mainstream America, the movement was already brewing in the U. It's one of those books that alternately horrifies you and makes you laugh out loud in surprising bursts that scare away pets. At the age of 19, McNeil gathered with two high school friends, John Holmstrom and Ged Dunn, and decided to create "some sort of media thing" for a living. Jean Stein and George Plimpton brilliantly create a moving portrait of an Andy Warhol acolyte who became a Warhol Superstar and then an enduring icon of the 1960s, before dying of a drug overdose at age 28.the Velvets and Iggy and Patti Smith were definitely an influence on punk music but I still wouldn’t consider them punk.

Please Kill Me: The Uncensored Oral History of Punk [PDF] Please Kill Me: The Uncensored Oral History of Punk

In fact, so many people are quoted that you begin to get confused, but not to despair: there is a very helpful Cast of Characters near the end of the book. Free of historical self-revision or precious musical pontification, [this] book comes as close to capturing the coruscated brilliance and vein-puncturing style of the Blank Generation as the written word is likely to get. I wasn't around for the New York punk scene in the mid-late 70's, but this book gives you such a vivid idea of what it was like that I felt like I was there. Although PLEASE KILL ME features tons of great material from the people who were there at Ground Zero during the Factory and CBGBs scenes, I wound up fucking pissed at this book's contention that punk began with the Velvets and ended with the deaths of Sid Vicious and Johnny Thunders. Wartość takiej metody prowadzenia opowieści ujawnia się najlepiej wtedy, kiedy wersje wydarzeń poszczególnych bohaterów różnią się od siebie lub kiedy to samo wydarzenie jest oceniane przez bohaterów w odmienny sposób.Imagine one of those on-line “chat rooms” filled with the aging movers and shakers of American punk rock?



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